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Otherworld Tarot Alison Williams
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Otherworld Tarot $15.55 Born from a love of fairy art with a colourful twist, these cards are beautifully illustrated with fairies, elves, magicians, and other fairy folk. This exciting color deck brings every Tarot reading to life. The companion guide details the meanings of each card and provides a quick-start for reading cards right away. Find out why the Death card isn’t actually so bad, and why the Sun is the most p… |
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WILLIAMS,ALISON JOY: CROSSROAD $15.98 Description not provided. |
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Otherworld $16.79 As any clothes horse will tell you, wait long enough and eventually everything comes back into fashion. Hawkwind arguably the progenitor of space rock, helped launched the genre at the dawn of the ’70s, seeing it flower, then wither, over the ensuing decades. Now half-a-dozen of the group’s early members have reunited under the moniker Space Ritual, a tag originally coined for Hawkwind’s eyebrow raising 1972 tour. It’s the perfect name for a group that still represents all that space rock has/had to offer, and one which refuses to be tied to a time and space now long gone. Otherworld is their debut album, and a set as extravagant as the initial Space Ritual shows themselves. “The Return” opens the set as one might expect in a kaleidoscope of otherworldly sounds and effects, until “Otherworld” shimmers forth among twittering birds. A pastoral melody breezes in from the faraway fields of Canterbury, until suddenly a gust of guitar and hip-hop beats sweep in and blow the past away. Across this five-minute track, SR interweave the modern and the classic, rap and rock, folk and soul, twining them together with a compulsive beat and a strong melody that passes from axe to sax to keyboards to flute and back again. It’s the first of many revelations within this remarkable set. “Ritual of the Ravaged Earth” is just as inspired, providing the missing links between early electronica, synth-pop, and the New Romantics, a dance filled delight that sounds like it’s heading straight for the pop chart. That number’s driven by the drum-machine type beats fashionable in the ’80s, “ASDF” is fired by Terry Ollis’ tribal beats, which could equally support Adam & the Ants, Gary Glitter, or the Last Poets. Every musician brings something to this showcase, with some songs built around specific instruments — most notably “Atomik”’s 12-string guitar, “Droid Love”’s sax, “Arrival in Utopia”’s keyboards, “Notes from a Cold Planet” flute and synth, and “Bubbles” electric guitar. Incidentally, “Utopia” and “Planet” are among a quartet whose lyrics were penned by sci-fi author and old Hawkwind collaborator Michael Moorcock, and include a revived, guitar fired “Black Corridor.” But even when SR turn back the clock, their music sounds amazingly fresh, for fashion has finally caught back up with the band. Gen Next’er rockers will envy the power and glory of “Bubbles”’s exhilarating blend of R&B, classic rock, and prog rock, while pop revivalists would gladly commit any “Time Crime” to own that song’s infectious melody and Nik Turner’s sensational ’60s sax solos. “I’m still walking backwards, here I come again,” Turner triumphantly exclaims on the set closing “Walking Backwards,” a retooled, remodeled, rejuvenated “Silver Machine” for the modern age. And that’s exactly what the band effortlessly do across the set, musically walk into the future as they explore their own past across 15 stunning tracks, that sound phenomenal, thanks to bandmember Dave Anderson’s superb produc |
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Tarot Classics $5.92 Their last release on Kanine, Tarot Classics offers a brief glimpse of where Surfer Blood is headed before moving to the major-label world. The band sounds far cleaner than they did on their endearingly hazy debut Astro Coast and relying less on the dreamy, lo-fi surf reverb that crested on songs like “Swim.” This time, they deliver a more focused attack and developed songwriting, particularly on “I’m Not Ready,” where the drums pack more of a punch and the song morphs from chugging verses to a tumbling breakdown that still conjures towering waves. “Miranda,” meanwhile, shows that the band hasn’t forgotten that crunchy riffs and sweet harmonies go together like chocolate and peanut butter. This bittersweet punk-pop recalls ‘90s alt-rock instead of the Beach Boys allusions that haunted Astro Coast, and finds the band sounding more like Weezer than ever, underscoring why they were chosen to tour with the Pixies. However, on the EP’s last two songs, Surfer Blood venture into less-known territory: “Voyager Reprise” soars into space with an expansive intro, sparkling synths, and a more subdued feel, while “Drinking Problem” coasts along on a looping, almost Krautrock-inspired rhythm, more synths, and a droning melody; only John Paul Pitts’ croon and the band’s distinctive high-pitched basslines make it recognizably Surfer Blood. While it may not sound familiar, it does sound good, as do the remixes of “Voyager Reprise” by Another Summer of Love and “Drinking Problem” by Speculator. While Astro Coast’s nostalgia is missed, Tarot Classics finds Surfer Blood showing more potential to create something unique than their debut suggested. ~ Heather Phares, Rovi Performers: Connor Black – Cello; Brad Lenz – Trombone; Brandon Norris – Trumpet; John Paul Pitts – Guitar, Vocals; Kevin Williams – Bass; Thomas Fekete – Guitar; Tyler Schwarz – Drums |
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Womens Alison $12.97 Womens Alison |
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Alison $165.5 White Light Ivory Champagne and Black Silk Slingbacksw Swarovski Crystals3 34 heelSizes 510B &11B65 10 & 11DNote Dyeable White Silk only Suede leather sole |